I understand what you're saying. That's fine, I guess. I'm still not buying it. Every DAW has to worry about ergonomics and accessibility, feature discoverability, etc. That is a completely different from continuing to not implement important features that need to be there. I'd rather it be "unintu...

The whole point is that if they implement FLAC support, it has to be working on every (currently) supported Windows version. Doing that based on native OS-support is still a no-go, as there are obviously many users not running the latest and greatest Windows version. Check here: https://docs.propel...

It's funny. RRP feels like the original Reason (back when things were "simpler"). RRP was a massive joy to use and 100x better than the modulation options available in Guitar Rig. Love seeing how people incorporate Reason into their workflow. They always appreciate the things we see as commonplace b...

Okay, so I've made a lot of purchases in the last few months, and I'm embarrassed to say what I did afterwards. First I got a Mac Mini a few months ago (roughly). I got it because I borked my portable desktop with some bad decisions. Besides, it had WiFi issues. I got a nice gaming desk for said Mac...

It could be a possibility the the new FX is using some new CPU instructions that older x86 CPUs don't support (like AVX512 or SSE4.2). Highly unlikely. Besides, Reason Studios can easily supply older CPUs with a different binary, or select the AVX512 or SSE4.2 version at runtime. No RE will ever be...

... And, yeah, shame Reason still doesn't support VST MIDI out. Maybe they'll fix that during the R13 cycle. Or maybe not. :| My guess is, that they don't want to threaten the sales of their player devices. So they made VST MIDI out impossible. Players serve a particular need. Just like REs. Unless...

Bitwig is cool. I just haven't felt the need for it.

I can see how I could make use of it for sound design, and Grid is much more intuitive than Reaktor, it's just always been stuck in my 'inbox'.



But it's 50% off right now, ...

Has anyone seen system requirements for 13? I don't know why Matthias was being precious about them. I'm guessing this doesn't bode well for my 10.13 Mac Pro even though it's still got plenty of juice for what I do. It's safe to assume they'll be the same until an announcement states otherwise. It'...

Microsoft also decides how long you can use hardware -- Windows 11 dropped support for several older machines lacking more modern features. This is no different. It's objectively different. M series is a completely different architecture . It broke compatibility. All hell broke loose with its relea...

https://www.native-instruments.com/en/s ... ffer-2024/

Offer ends 27th May 2024.

Get the whole bundle for £2938.00 £179 (or whatever that is in dollars).

huggermugger wrote: ↑

09 May 2024

Just filter out the pitch bend info...Oh wait, it's Reason you're talking about. They're working on Reason's MIDI integration, but since MIDI is so new, it might take a while. R17 maybe?

You could use LoopBE and use a software MIDI filter.

In the meantime, assign the janky knob/dial/fader to something else so that it's not captured by the instrument you're playing/recording with.

IIRC Reaper can run as a ReWire client. It's a bit of a stretch, but you could export your Reason tracks to MIDI, put them in a Reaper file, and then make an RRP patch for each instrument (assuming you have complex tempo changes and whatnot). If you can easily match the tempo and its changes in Reas...

Some of us probably shouldn't be getting to excited because we don't even know what the minimum requirements are to even update to Reason 13 are going to be. I'm still running 10.15.7 Catalina on a 2012 Macbook Pro which I don't intend on upgrading anytime soon. So just think about that before some...

No surprises here. They said they were working on workflow improvements.

They delivered.

Loque wrote: ↑

29 Apr 2024

avasopht wrote: ↑

29 Apr 2024

...
'nother ... ... level!!!

Not her level?
No there level?
Not here, leave?
Mother eval?

I don't get it. Is there a typo?

Oh, no, it's this thing Tony Robbins says a lot.

It's "another level", but Tony likes to say things are "on a whole 'nother level".

You've got to embrace the slow version.


It's hard at first, I know.




But trust me, when you get with it you experience this song on a whole 'nother level.



'nother ... ... level!!!

Is it me or does this sound like the "real" version of the song? https://www.youtube.com/watch?v=Pv6Rt2x6kPg We've just been distracted by the disco instrumental and fast tempo. No. We've been fooled. This is the real version of the song. ... Got me wondering, ... what other songs need a reinterpret...

I really thought RS would have done this with elk like they were showing off a few years ago. Native Instruments should’ve done this by now as well. As simple as this keyboard is, it’s genius! The stage intended keyboard market is pretty boring compared to what software can do and this is a step in...

Do we really need Remote when MIDI 2 is just around the corner? I'd like to see a few demonstrations of this working for things that already exist. So far it sounds too vague as if it requires some magic to get it right. This isn't even a MIDI problem but an autoconfiguration problem that hasn't be...

motuscott wrote: ↑

16 Apr 2024

ReasonTalk automatically subscribed me. How 2 unenlist?

Unenlisting is easy.

You just need to sign up for the service, $0.01/mo for the first 3 months, then it's $10/day.

There's more than enough music out there already. Yet we still can't get enough of it!

Everything has become shit.

Amazon. + Prime.

Netflix.

Facebook.

YouTube.

Uber.

They're all shit now.



The academic term for this phenomenon is Enshitification.

If they're wise they'll consider controller collaborations with Akai, Nektar or Novation. Given what they have done with the great Remote tech when Reason was still a standalone product, I highly doubt they’d go that route since RRP remonte capabilities are under the host DAW Missing the mark in th...

Drumline for me was about the thrill of a large group in perfect (or close!) sync, the power of ‘many’ making the sound of ‘one’. I will admit I don’t watch drumline/drum corps videos myself, so it was more about the powerful experience for me than the actual music being presented. It actually taug...