The reverb is 100% identical. Don't think any of the other ones are identical.

Wish Reason had an easier way to move audio or midi clips back by milliseconds instead of "ticks". The 96 ms delay for the "slow" mode is a pain in the butt (I understand why it is necessary from a technical point-of-view). Someone should make a little app where you enter your bpm and how many milli...

If you are just trying to modulate the VCO's pitch, you can just raise the "amount" on the MG section, or "vibrato intensity".

synclab wrote:Pulsar is one of my favorite devices, superb for sound design with its buffer freeze function.

Are you thinking perhaps of Polar?

The LFO from the Pulsar is modulating the amount of the Polysix's built-in LFO. The "MG" is wiggling the pitch, and the CV from the Pulsar is wiggling the amount of "MG".

Edit: what rcbuse said.

Does Pulsar do anything that Little LFO doesn't?

Here's a duophonic Viking combinator I made.

Any chance of being able to convert TX81Z patches to FM4 patches like you can convert DX7 to PX7?

You can also route the velocity in Tres to either of the drives and/or the emphasis section. A cool thing you can do with Viking is make a true duophonic synth. Put two of them in a combinator. Set the filter on the first one to bypass, the gate to "on" and the keyboard mode to "highest". Route the ...

The velocity buttons in the Amp Envelope and (free) Envelope sections in Tres route way too much velocity to the envelopes. But you can route Velocity from the Transmod section to the the gain on both or either of envelopes and adjust it to be much more subtle.

Having lots of fun with this. Sounds pretty great patched through to my $15 Danelectro FAB distortion.

Really wish the "alter" feature in the pattern section was automatable (or even had a CV trigger in). And count me down as another vote wishing the gate trim was also automatable. Also wish I could use my keyboard or a MIDI lane to transpose the whole sequence up and down.

What are the differences between two compressors that have identical settings (attack, release, threshold, ratio, knee) or two EQs (both boosting 2 dBs at 1.2kHz with a Q of 2 and cutting 4 dBs at 420Hz with a Q of 1.3, e.g.)? I can subjectively hear differences between different EQs and compressors...

A phaser that sounds like it is always going up (or always going down). I have included both a barberpole up and barberpole down patch. Uses no rack extensions. Some fairly involved routing involving converting CV to Audio, running it through a delay, and then back to CV, which can be achieved much ...