You should produce a video for the track

Sometimes I ask myself why I test things like that instead of making music. Maybe because If my music is bad I now can blame the "planck pitches", haha.

Interesting. You are right, Subtractor sine does make almost like a synthetic hat sound in the higher areas. I find other strange things with other synths with sines. It almost seems that in those high pitches very strange things happen, like the strange behavior of physics in the very first moments...

If this info is correct, it is not possible to exactly achieve it, but closest approximation would be -31 cents.

How much percent would that be in the Reason settings?

Selig, I guess you are right. I tried out CV Mutant which is based on rate and it is a similiar behaviour. I always knew that something is different with Antidotes envelope, because I often design similiar sounds on different synths and Antidote was always the one with the most different results.

antidote.jpg I was making patches with different synths. When I fiddled around with Antidote and discovered a "strange" behaviour. I expected the decay time to be the time the env goes from the peak to the sustain level which is also defined in the manual that way: "During the decay stage, the enve...

If on sale I might get RE128 Loudness Meter, SPLEX Compressor, PMS-20, Kratos 2, GQ7 and BZR-1. Definitly not all of them.

I prefer PX7 to Zero, at least in regards to FM. I find it hard with Zero to tune in the right amount of FM, just turn a tiny bit FM in and it is often already too harsh. My only complaint with PX7 is the lack of CV, e.g. for the envelopes or feedback.

I have a question regarding the latency times. Are they absolute? E.g. Blamsoft DC-9: Is it always 3 samples, or can it be different with a different computer, operation system or with sample rate?

Thank you soooo much for your feedback. It really helps me to grow. Regarding bass, I have a bass line made with a sine at around 65 and another one around 130 with a tiny amount of FM and a litte bit of a very noisy square at 260. The problem was/is that I set the decay time to 0.05 seconds, so it ...

I tried out Futzbox to see how far lo-fi you can go. Could sound more "natural", but it is a fun device.

I can highly recommend this sound design/synth tutorial app: https://itunes.apple.com/us/app/syntorial-synthesizer-training/id956861240?mt=8 Even for me with advanced knowledge in sound design it was very helpful, because it trains your ears to hear out parameters of a synth sound. it is a bit price...

Just be aware, there is a bug. You should not use the Note CV Out of Microtune, because it sends out wrong notes.
So for example if you use Charlotte or Distributor, first split the Note CV Signal with Spider, send one to Microtune and the other one DIRECT to your instrument, in your case the sampler.

I have 149 including the free ones. That is a lot considering in the beginning I swore to myself to not buy a single REs. Then I started to buy one or two CV devices. Then I bought ALL the CV devices. I swore to myself that I will not buy synth devices. Same story. First one or two then more and mor...

haha, i did exactly the same thing with a/b 12 the other day

Blind Test regarding mp3 & wav. Even there the differences are hard for me to spot.
http://www.npr.org/sections/therecord/2 ... io-quality

Thanks for your answer. But what I mean is automating attack time, decay time, release time individually. This seems not to be possible. I found kind of a workararound. It is possible to automate "Amp Envelope Rate". I don't know exactly how it behaves since it is not documented in the manual, but y...

Even though this synth was love at first sight I am missing the possiblity to automate the envelopes. A env CV-in on the back would really help to at least automate it from another device.

Shouldn't there be a depth/level knob for the LFOs? It is really hard to dial in e.g. a proper vibrato because with an amount of 0.10 it is already to much. Or am I missing something?

Yes I like it too, but sometimes it crashes. No big deal, since you can reload the track and it is fine again.

If you are into sounddesign (and as an addition into LFOs) I recommend the Ammo series.

As far as I see it is just a pitch modulation. So an LFO with depth 1 (Ammo) changes the pitch about 3 octaves. It is probably not intended for high Hz input, though it can have cool effects. I think it is the same imput as in Radical Piano, at least what I am hearing.

Thanks for giving us a peek inside your work. Catchy song.

Just to give one idea. Gate CV of Matrix to e.g. Subtractor. But instead of Matrix Note CV you use this chain: Take the Ammo (any other LFO ist fine, but I like this because of many waveforms), about 3Hz and 0.5 Depth, the unipolar out into VoltSH-1 (synced to 1/16 rate), this goes into the CV Tuner...