I would say that it really depends on the material you have and the resources available. If you have some songs that you feel could be something and you have the budget for external mastering, go for it. Nowadays, it's a nice idea to try to be good at everything, simply because everyone has access t...

Instantly here. Windows 7. Kontakt Player. I only run it for 2 solo string instruments, but I would guess it doesn't matter how many libraries you got attached to it.

* User since 2001 = very used to it = my reason knows Reason ;) * Ability to open projects made 17 years ago (nostalgia... and beer... loads of beer) * Sequencer "Dub" lanes for note layering * Automation in clips * Arsenal of tools that can only be used with Reason = ReFills, Rack Extensions, custo...

It's just that much better.

Always remember that Reaktor has a stand-alone mode and is a single-core application. The CPU shown in the upper right corner only reflects the use on one core. If you remember what kind of framework is running in the background, it's actually quite efficient. My personal usage was stand-alone mode,...

Bump because of playlist added.

It's a holdover from the old days when producing music in Reason alone (i.e. without rewiring into another DAW) meant working only with the built-in instruments and effects. Even back then, you could sample basically anything you wanted into Reason's samplers and drum machines, but the distinction ...

Because the algorithm creation + RE platform + investment wasn't interesting enough for 1. people to do a port 2. new RE developers to get on the task? And what does this matter if you can load a VST? And why is The Echo not good enough? So many questions!

Very nice to hear. Appreciated!

Some more...

EVE series, because simplicity. MP5 for *magic*.

Auryn wrote: ↑

06 Aug 2018

This is quite beautiful. A real coherent sound where everything just fits/complements the other elements. Well done!

Thanks a lot! Don't miss the 2nd tune.

Instead of making everything into a new topic, I will just use this thread for all the more mature ideas.

Cheers jappe!

Cheers for all the comments guys! Really like how the intro piano detunes and then comes back to true...very creative. The drums are very laid back, the strings are lovely, and the pad that you’ve chosen perfectly matched the mood of the song. Deep, contemplative, and a little melancholic my only “c...

aeox wrote: ↑

25 Jul 2018

Wonderful!

Cheers aeox!

Instead of making everything into a new topic, I will just use this thread for all the more mature ideas aka I made no album.

Not a real answer, but in the many years with different interfaces and drivers, some of them don't like to be "shared" among different applications and therefore might give you the issues you're describing.

Since I use some heavy VSTs (mainly u-he Bazille) I can't confirm the issue to have to delete the original track to save up DSP. Having the muted clip on the original instrument and playing back the audio is 0 DSP on my end and for a synth like Bazille, the memory usage seems to be somewhat like 11 ...

For the 4-to-da-floor pumping obviously Synchronous, SideChain ReAction Enveloper, FrameCV, Pump. I personally use the Cableguys "Lite" version of Volume Shaper aka Nicky Romero's Kickstart. If you don't mind seeing an artist name that you may or may not like, it's a great, cheap little VST, but of ...

Why drive careful if you can have airbags?

No. They simply need to find a better balance between "what the old users want" and "how to attract new users". Combine that with the major design choices PH made somewhat 17/18 years ago and you basically understand the major issue here. Reason 6 was a blast. They had MMM going on, merged R+R into ...

I didn't say anything about anyone making anyone do anything. I'm guessing from your use of English that it isn't your primary language, so I think you're maybe misunderstanding my original question. I pointed out that Reason's rack-based approach had the potential to be a great catalyst for captur...

Using a synth with a "chord" mode (next to mono, poly and so on) like e.g. Predator?

Sampling that chord into NN-XT is another idea, but this might be a bit too much 90s house chord transposing dilemma!