They already said that RE is on the todo list afaik... http://www.kvraudio.com/forum/viewtopic ... 4&t=413528

(I've adjusted the colour curves to get rid of that blue filter)

LoveOne - As far as I know they were looking for beta testers for an upcoming instrument RE right before the PUF closed. KORG - As far as I can tell, there aren't really anything in their existing product line (with possible exception for some FX) that they can port at this stage (even if they want...

As I interpret his post, Benedict is talking about what takes you to your goal. Sometimes a Thor will suffice, other times you need a Combinator, but it's the end result that is important. From that perspective Thor can be equally good (or even better) than the Combinator. I fully agree with that n...

So in the end I see a Thor and a Combi with a Thor as equal. I am glad that there is something called opinion, and I will totally disagree with this point. If I have a combi, I can control a Thor LFO and process the audio different. I can add effects which the thor patch are missing and so on. I ca...

Exode, how would you compare this to other past and present analog synths, sound wise? Audio examples here: http://futureson.us/#sounds Not sure yet. I think I hear some tonality between Roland DCO synths (JX3P/8P) and Prophet 5. It seems to have some character of it's own.. I need to hear more fro...

No specific order: Reveal Sound Spire - Because it's great for anything electronic really, modern EDM in particular Synapse Audio Dune 2 - Different scope than Spire, very powerful structure. u-he Diva - Still the n1 analogue emulation (in my opinion) u-he Zebra - Swiss army knife capable of a lot o...

To Exode: I was not questioning your challenge of ClassicHitz premise; I was asking you if it is likely that someone considering the exorbitantly expensive Prism would even look at Balance. True, my question was not on topic, and for that I apologize. But in my defense, this whole line of thought i...

avasopht wrote:You missed the point that ClassicHitz claim that the device was overpriced ignores component quality

This.

For those of you who would like to re-try our Noxious synthesizer for the Rack Extension platform, we have good news. If you have tried an old version prior to version 1.5, the trial period has been reset meaning... you can try it again for a 30 day period. https://shop.propellerheads.se/product/no...

Have you heard of Prism Sound Lyra for instance? You have got to be kidding! The person who is rocking a high end interface like that is not looking at  Balance or any other consumer level audio interface on the market. Would the person who was considering purchasing Balance even looking at gear li...

The developer is aiming for sub $1000 USD for the 8 voice poly version. I've collected some of the questions and answers from a gearslutz thread: Is that OLED screens? – Yes, those are OLED screens, one display for each section of the synth (oscillators, envelopes, filters, etc). There's an addition...

Based on the asking price, not having MIDI is the first on the list of what I would consider to be a major con. Very pricey for only being able to record two channels at the same time when compared to other interfaces on the market for half the price and in some cases maybe a quarter of the price. ...

The problem is that the users speculating on the SDK don't really know anything, and those who know can't say anything. There's a catch 22 for you.

Futuresonus Announces Parva Polyphonic Analog Synthesizer Futuresonus is proud to announce Parva, a revolutionary new polyphonic analog synthesizer. Parva combines the classic warmth of an all-analog signal chain with the modern convenience of digital control in an elegantly designed tabletop packa...

http://www.soundonsound.com/sos/sep08/articles/vcagroups.htm google! Yes, I understood as much already but I really don't understand how the end result is different from using a bus in Reason. I'm on break I'll try to explain as much as I can. You could use busses to lower the volume just like fade...

In reply to the OP: For fun, I've uploaded an excerpt from an old interview with Mats Karlöf, previously Product Manager (he's now the RE Product Manager, afaik) of propelleread. The interview was originally published in Music Tech iirc. https://s3.amazonaws.com/files.websitetoolbox.com/177147/22131...

zakalwe wrote:http://www.soundonsound.com/sos/sep08/a ... groups.htm

google!

Yes, I understood as much already but I really don't understand how the end result is different from using a bus in Reason.

Mr44Hz wrote:Busses ain't the same as fader groups by any means.

Yes we understand that, but you have failed to explain how they are different and whether they're just different means to reach the same goal.

Wait...is that image showing like just recently, am I looking at it correctly? I only just joined the forum, if that's what you mean. Been too busy with other stuff (nothing fun I'm afraid). When I saw the thread title I thought you were going to play a game like "Where's Wally?"... :) Dude how fun...

Rice wrote:Wait...is that image showing like just recently, am I looking at it correctly?

I only just joined the forum, if that's what you mean. Been too busy with other stuff (nothing fun I'm afraid).

When I saw the thread title I thought you were going to play a game like "Where's Wally?"...

For Parsec, I contributed with the following presets: Combinator Patches Add or Odd (Bass) Amazing Pad (Pads) Arping Duality (Rhythmic) Grimey Wobbler (Bass) Lazer Bass (Bass) Motor Baller (Bass) X-Pander (Rhythmic) Device Patches Club Square (Lead Synths) Double Trancer (Lead Synths) Ghost Saw (Lea...

Like already mentioned, start by trying to recreate your own Subtractor patches in Thor to get a better understanding of how things are put together. Once you get comfortable enough, another tip is to download a free ReFill, like my own Massive Synthesis ReFill, and try to reverse engineer my Thor p...