This is very popular outside the world of Reason. And still popular within Reason I feel.boobytrap wrote:They mentioned that is a Waveshaping Something. but it looks like shaping wave using Brick wall limiting method. if the call it GClip Brick Wall Clipper, that's okay. my question is, is this really necessary and for what. I mean these things are very basic things.joeyluck wrote:And you can use the VAC-6 to see exactly what the softness does when applied.kloeckno wrote:It is a waveshaper, it just has only one option. It is usually called "hard clip" on other synths, and if you turn up the softness knob it should be very similar to the soft clip option on waveshapers. But it will definitely shape a waveform, just try putting a sine wave through it, it will turn into a square wave if you drive the input enough. That may be the problem you have with it, the input has to be loud enough before any clipping occurs. And a square wave, for example, won't do much since it's already basically clipped on the top and bottom.boobytrap wrote:I bought GClip Waveshaping Clipper one week ago. I think I regret for buying that. I thought that is a waveshaper. but that is nothing.
But to say it does nothing is a bit overdramatic.
GClip is one of my favorite REs
what if someone make a Re call volume controller, with only one knob witch controlling Volume.
It's a waveshaping clipper (as is said in it's product name): GCLip Waveshaping Clipper
I use it several ways, but mostly I use it for distortion.
From the description: https://shop.propellerheads.se/product/ ... g-clipper/
- Here are the most common uses of GClip:
Digital distortion - Simply boost and clip hard to create harsh, digital distortion. This is the kind of distortion you'd get from a cheap loudhailer, especially if combined with a band-pass filter.
Conditioning - GClip can be used prior to other effects to tame excessive peaks, which might otherwise lead to undesirable responses when processed.
Compression - GClip can be used to reduce the peak levels of a signal, reducing the overall dynamic range. This can be done with a soft-knee to avoid hard, digital clipping. It's a very different process to standard compression, and not a substitute, but for some material it can be very effective.
If you have VAC-6 (which is free), have it follow the GClip in your chain. Turn up the gain on GClip, adjust the clip, and then adjust the softness and you can see via the VAC-6 what it is doing (zoom it all the way in). The GClip alone shows well enough by it's display where it is clipping the audio, but it's a bit small when viewing the results of the softness.