Propellerheads PolyStep Sequencer
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This is so good.
I don't judge a device until i actually try it.
And this one does not disappoint, i just drew some lines, moved them around played with some repeat settings, did it 4 times, came up with this in about 5 minutes.
- and that is only one of the 8 patterns available doing this..
I don't judge a device until i actually try it.
And this one does not disappoint, i just drew some lines, moved them around played with some repeat settings, did it 4 times, came up with this in about 5 minutes.
- and that is only one of the 8 patterns available doing this..
- diminished
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Neither are overwhelming facts, sadly.
But that's another topic..
Also, many people lack the ability to read something tongue-in-cheek, like Loque's comment clearly was
Last edited by diminished on 05 Jun 2019, edited 1 time in total.
Most recent track: resentment (synthwave) || Others: on my YouTube channel •ᴗ•
I'm sorry, but how is "Panda is working at PH now." tongue in cheek?diminished wrote: ↑05 Jun 2019Also, many people lack the ability to read something tongue-in-cheeck, like Loque's comment clearly was
Panda could very well have been employed by PH but there was no way of knowing it until he himself chimed in. Before that, the quote above could well be stating of the truth that's known to Loque, but perhaps unknown for others, myself in particular.
- diminished
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Here, let me help you:
Loque wrote: Panda is working at PH now. That explains why he doesnt release new stuff
Most recent track: resentment (synthwave) || Others: on my YouTube channel •ᴗ•
"Hey guys! I have an idea for creating revenue from a function that every major DAW has!"
"And let's make it really awkward, too, since no one ever wanted to make multi bar melodies or chord progressions!"
"What's that? Pattern chaining? Great idea! Let's make that into a separate revenue stream in two years!"
"And let's make it really awkward, too, since no one ever wanted to make multi bar melodies or chord progressions!"
"What's that? Pattern chaining? Great idea! Let's make that into a separate revenue stream in two years!"
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Aaaa@aaaaaaAaaaaAaaaaaaaaaaaaaaaaaaaaaaaa
Would have loved it to show 16 notes/lanes, and not 15. It could then have also been used as a single device drum sequencer for instruments like Kong, with all instruments in view on the grid. Odd choice when there is easily room for 16 lanes in the design. Or vertical zoom would have done, but it doesn't look like that's there either.
Also, I am not at home to try it yet, but can you see the individual numerical velocity and CV values when you adjust them, or is it just guesswork when changing the bar heights?
Also, I am not at home to try it yet, but can you see the individual numerical velocity and CV values when you adjust them, or is it just guesswork when changing the bar heights?
But that can only be taken as tongue-in-cheek if the recipient knows for a fact that Panda doesn't work at PH. If to the recipient it might be the truth he's not aware of, then that's just a logical statement of factdiminished wrote: ↑05 Jun 2019Here, let me help you:Loque wrote: Panda is working at PH now. That explains why he doesnt release new stuff
But OK, let's talk about the device instead?
Anyone's willing to compare features against Sequences? Or Step Note Recorder? Or Konpulsion? Seems to me like this is the ultimate MIDI sequencer
Last edited by antic604 on 05 Jun 2019, edited 1 time in total.
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Last edited by future-bit on 07 Dec 2020, edited 1 time in total.
Back to the topic of this thread: Why does Panda does not release new stuff?antic604 wrote: ↑05 Jun 2019But that can only be taken as tongue-in-cheek if the recipient knows for a fact that Panda doesn't work at PH. If to the recipient it might be the truth he's not aware of, then that's just logical.
But OK, let's talk about the device instead?
Anyone's willing to compare features against Sequences? Or Step Note Recorder? Or Konpulsion? Seems to me like this is the ultimate MIDI sequencer
Oh wait...the thread was...one moment...i got it: "PH (with Panda) released a Poly Sequencer RE."
Looks really cool. Anyone tried?
Reason12, Win10
Good spot. 1:0 for RB.future-bit wrote: ↑05 Jun 201916 steps? It is not enough. No, thanks. RB Sequences has 32 steps and a convenient pianoroll.
But PH has CV. It has CVVVVVVVeeeehhhh!!! So i guess it is 1:1.
Reason12, Win10
You can chain four 16-step long (completely independent, if need be) "variations" in one pattern for 64 steps / patternfuture-bit wrote: ↑05 Jun 201916 steps? It is not enough. No, thanks. RB Sequences has 32 steps and a convenient pianoroll.
Just the code? You sell yourself short my friend. Props owe you a job or a nice revenue cut, because some of your stuff is literally the best they have in the store for midi related RE.
- esselfortium
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If you hold the control key, it's only one click to draw a note
Sarah Mancuso
My music: Future Human
My music: Future Human
You do understand Panda gets a cut of his RE sales (60-70% if I'm not mistaken?) and he was obviously compensated for coding QNG and PolyStep, even though he described his role as modest "help with code"?
Not understanding why the type of device would change a behavior pattern that already exists across multiple device types.Ermitage wrote: ↑05 Jun 2019Except there's no precedent for this as all of those are either Audio effects/instruments/utilities while this is a MIDI effect.QVprod wrote: ↑05 Jun 2019I feel like I keep correcting this. Every RE that has been bundled with a Reason upgrade (except Radical Piano as a special case) was already offered for free for current users upon release. That includes Pulsar, Synchronous, Audiomatic, and the Softube amps. Following that pattern, Drum Sequencer just might be added since that was offered free in the future as well. No other paid release has ever been included except as promotions for new users buying the full version (not upgrade).
- TritoneAddiction
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Sorry for being a total downer here, but honestly, I'm not too sold on devices like this. Imo you'll be much better off by learning some basics about scales/modes, chords, how chord progressions work. It will free you up musically instead of having to rely on crutches like these. Yes it will take a little more effort but it's not that complicated. And you'll be able to use that knowledge for the rest of your musical life. And it doesn't cost anything.
The demos sound "ok", but I can't help but feel like most of the chords/arpeggios have been put there by a, well some sort of chord sequencer, which is fine if you dig that sound. But to me it just doesn't sound that natural or that each note choice has been put there deliberately. Or if it's not the note choice problem it's that it sounds stiff, like a machine is playing it.
The demos sound "ok", but I can't help but feel like most of the chords/arpeggios have been put there by a, well some sort of chord sequencer, which is fine if you dig that sound. But to me it just doesn't sound that natural or that each note choice has been put there deliberately. Or if it's not the note choice problem it's that it sounds stiff, like a machine is playing it.
- diminished
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I agree but it's less of a problem once you send midi to track and randomize note on, velocity etc. and add shuffle.TritoneAddiction wrote: ↑05 Jun 2019Sorry for being a total downer here, but honestly, I'm not too sold on devices like this. Imo you'll be much better off by learning some basics about scales/modes, chords, how chord progressions work. It will free you up musically instead of having to rely on crutches like these. Yes it will take a little more effort but it's not that complicated. And you'll be able to use that knowledge for the rest of your musical life. And it doesn't cost anything.
The demos sound "ok", but I can't help but feel like most of the chords/arpeggios have been put there by a, well some sort of chord sequencer, which is fine if you dig that sound. But to me it just doesn't sound that natural or that each note choice has been put there deliberately. Or if it's not the note choice problem it's that it sounds stiff, like a machine is playing it.
I consider this RE a sketching pad for songwriting. Huge bonus points for the occasional arp and strum you can put effortless in there.
I resisted buying all of PHs recent devices, but this one might be an exception.
Most recent track: resentment (synthwave) || Others: on my YouTube channel •ᴗ•
Ok, after reading the manual I've three things to say:
1) This is Matrix on steroids, acid & crack combined
2) I feel sorry for Robotic Bean's Sequences, because every feature I dreamed will be added there in the future versions is already here + few things I couldn't even conceive I'd want!
3) It's time for PH to open a central market for 2nd hand REs (where devs & PH would still get a cut from sale)...
1) This is Matrix on steroids, acid & crack combined
2) I feel sorry for Robotic Bean's Sequences, because every feature I dreamed will be added there in the future versions is already here + few things I couldn't even conceive I'd want!
3) It's time for PH to open a central market for 2nd hand REs (where devs & PH would still get a cut from sale)...
- diminished
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And: yeah, deep down I wish this was all part of an improved native sequencer.
Most recent track: resentment (synthwave) || Others: on my YouTube channel •ᴗ•
I know they say that devices like these are also for people that know theory because perhaps it might help you come up with things you wouldn't normally create, but anyone who has a legit musical background and knows how to play will look at this and immediately think "it would be so much faster to just play it in/I don't understand how this is helpful/this is taking way too much time". These devices, in my opinion, area all about making music-making more accessible to people who aren't traditional musicians, which seems to be Propellerhead's thing ever since Verdane took over. I find it all quite boring and elementary, but I can see why they're doing it.
You're probably a person, who can quickly translate what they have in their head (musically ) into actual notes & sounds. But many of us - myself included - aren't like that. We usually stumble via trial-and-error until we find a creative spark, upon which we can build stuff up. Listening critically to music for over 30 years I know what sounds good and can - given time - replicate any complex melody or chord progression, but it's - like I said - a process of guided trial-and-error and redundant approximation of what I hear in my head.TritoneAddiction wrote: ↑05 Jun 2019Sorry for being a total downer here, but honestly, I'm not too sold on devices like this.
And sure, I could probably learn theory and learn to play an instrument. But my music doesn't really require that, nor do I have the time for it (it's just a hobby I can pursue when I'm not falling on my face after 10-12h of work and 2-4h with the kids & wife). That's where tools like this come in! I can put few notes (or have them randomized for me) not caring about sticking to key & scale, I can add chords, arps, repeats, randomisation; make variations and then transpose this however I want with a single key. That IS brilliant for me. And whether it sounds like it was created by cheap Casio keyboard or is more complex, personal and actually inventive depends on how much work I put. The tool is there for me.
- Boombastix
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Has anyone tried to see if you can make it work with out of key chords, say a Cm7 followed by a Em7 while the rest is in C minor. Set it to Chromatic to enter the Em7? But what happens if you turn it back to C minor scale, will the Em7 be changed.
Or if you want a more exotic out of scale jazzy chord?
Is it better than Captain Chord ($79), or Intuitive Audio Chord Composer (recently $44)?
Or if you want a more exotic out of scale jazzy chord?
Is it better than Captain Chord ($79), or Intuitive Audio Chord Composer (recently $44)?
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